I had a way then losing it all on my own
I had a heart then the Queen has been overthrown
And I'm not sleeping now, the dark is too hard to beat
And I'm not keeping now, the strength I need to push me

You show the lights that stop me turn to stone
You shine it when I'm alone
And so I tell myself that I'll be strong
And dreaming when they're gone

'Cause they're calling, calling, calling me home.
Calling, calling, calling home
You show the lights that stop me turn to stone
You shine it when I'm alone

I had a way then losing it all on my own
I had a heart then the Queen has been overthrown
And I'm not sleeping now, the dark is too hard to beat
And I'm not keeping now, the strength I need to push me

You show the lights that stop me turn to stone
You shine it when I'm alone
And so I tell myself that I'll be strong
And dreaming when they're gone

'Cause they're calling, calling, calling me home.
Calling, calling, calling home
You show the lights that stop me turn to stone
You shine it when I'm alone

Show the lights that [2x]

You show the lights that stop me turn a stone

I could watch you for a lifetime
You're my favourite movie
A thousand endings
You mean everything to me
I never know what's comin'
Forever fascinated
Hope you don't stop runnin' to me
'Cause I'll always be waitin'

You are my cinema
I could watch you forever
Action, thriller
I could watch you forever
You are my cinema
A Hollywood treasure
Love you just the way you are
My cinema, my cinema, my cinema...

Get up, get down
Three steps down
My DJ gonna break it down

Get up, get down
Lose that sound
Drop the bass

My cinema

Stars spell out your name
Like in a science fiction drama
Romance growing
Like a flower in the summer
You always keep me guessin'
Forever my wonderful
Hope you start undressin'
All my dreams and take me under

You are my cinema
I could watch you forever
Action, thriller
I could watch you forever
You are my cinema
A Hollywood treasure
Love you just the way you are
My cinema, my cinema, my cinema...

Get up, get down
Three steps down
My DJ gonna break it down

Get up, get down
Lose that sound
Drop the bass

A cinema

You are my cinema
I could watch you forever
Action, thriller
I could watch you forever

You are my cinema
A Hollywood treasure
Love you just the way you are
My cinema, my cinema, my cinema
My cinema, my cinema, my cinema
My cinema, my cinema, my cinema
My cinema, my cinema, my cinema

You got me so wild.
How can I ever deny?
You got me so high,
So high I cannot feel the fire.

And you keep telling me,
telling me that you'll be sweet.
And you never wanna leave my side
As long as I don't break these...

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

And they still feel all so wasted on myself.

And they still feel all so wasted on myself.

You got me so wild.
How can I ever deny?
You got me so high,
So high I cannot feel the fire.

And you keep telling me,
telling me that you'll be sweet.
And you never wanna leave my side
As long as I don't break these...

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

and they still feel all so wasted on myself.

and they still feel all so wasted on myself.

You got me so wild.
How can I ever deny?
You got me so high,
So high I cannot feel the fire.

And you keep telling me,
telling me that you'll be sweet.
And you never wanna leave my side
As long as I don't break these...

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

Promises, and they still feel all so wasted on myself.

MUSIC from the Film

MAD MAX: the Mad Masterpiece.

He Kills Recommendation:
A new benchmark for the modern action film. Daring to defy gravity, while pushing the constraints of sensationalism. 
Highly recommend that this post-apocalyptic nuclear wasteland is watched in theatres.
Do not do yourself an injustice and wait for the DVD.

Awards predictions: […So Far 2015… Have you seen better this year?]
✓ Best Production Design, ✓ Best Sound Editing,
✓ Best Sound Mixing, ✓ Best Visual Effects, 
✓ Best Makeup & Hair Styling.

Here is a film that is essentially one big car chase and yet George Miller creates an intricate world within the dirt and metal. Unlike the films before it, Miller uses the gritty premise to highlight the characters raw dictatorship and totalitarianism.

It’s a white-knuckle,
 balls-to-the-wall,
nasty symphony,
and we loved every second of it!

When analyzing the average car chase – predictably the chase ends with the pursuer or the pursued failing to accomplish their intent. Fury Road understands that no one wins. Except FURY ROAD – Only Miller could understand that the chase itself is destiny and not what’s at the end on the road, so he keeps the audience moving, constantly. The movie ends and no one gets up out of their seat for fear they might fall out of the moving truck. A film built with speed and consistency that grabs our attention and refuses to let go.

It is the seatbelt you forgot you were wearing.

The films lengthy action sequences are the character defining narrative.
We boldly see into the characters’ lives and personalities through the eyes of the action sequences.
The plot thrives in a familiar world of military tribunals managing portions of the wasteland.
Gasoline is the currency the movie uses to fuel the fight, yet the underlying theme of emancipation and freedom rings clear in the little children’s eyes.

A host of brilliant performances by Hugh Keays-Byrne as IMMORTAN JOE and the honest chemistry between the forever-tortured heroes, Charlize Theron as the one-armed big-rig driver named FURIOSA and loner Tom Hardy, MAX. Honorable mentions to the women playing JOE’s ‘breeders’ and Nicholas Hoult as NUX – They elevated the films sense of humanity and made us care about the characters fate.

Miller has constructed the first chapter in the new trilogy as a complete account of the characters pain, and he has carefully set the stage for MAD MAX: THE WASTELAND sequel. We applauded his masterful attention to detail and hold our breath while gritting our teeth, waiting for the next installment.